All the texts and drawings copyright © by Stefan Davidovici. The images may be used for commercial and non-commercial purposes with the written agreement of the author. Please contact the author here: davidovici at Your comments on the drawings are welcome. Please visit for our actual Architecture & Interior Design projects.


"There’s always the possibility—or danger—that (in) Rei Kawakubo’s work you see (...) what’s going on inside your own head", says Sarah Mower in Vogue about the last Paris show of Comme des Garçons. It certainly happens to me, because here is my own drawing, transformed in high fashion by the magic hands of Kawakubo. I am honoured and happy to see my own work in a totally new light.


Exploring growth and Milan through imaginary architecture

a series of imaginary architecture drawings by Stefan Davidovici in dialogue with photos by Stefano Gusmeroli in exhibition at the CALL OVER 35, 21stTriennale, Palazzo della Triennale, Milan June 22 to July 31 2016 is in the guise of fiction that one can more easily and relentlessly tell the truth.”

Robert D. Kaplan, In Europe's Shadow

Selected for the Call over 35 section of the 21st Milan Triennale, GROWTH.OVERgrowth is a series of drawings of imaginary architecture by Stefan Davidovici put in contrast with Stefano Gusmeroli's photos of the urban environment of Milan.
The drawings and images are literally 'growing' together, under the eyes of the viewer.
They raise questions about the mechanism that makes architectural spaces alive – the very fact that, like us, they are born, evolve, get old and finally disappear, subject to the very flow of life and history.
The photos and the drawings are intimately related. They grow together. The two media are contrasting but are in a clear, active, living dialogue.

HUMAN MAPS 1-3, 2016

The Human Maps start with the dreams of a dog, of course.
We perceive reality in a complex way that changes over time and combines our direct perceptions with patterns and abstract notions. The way we conceive the architectural space that 'matters' - the one that 'hiddes a story' - is a direct reflection of this complex perception.


I have started drawing architectures on Mars just because it is so wonderfully empty. 
What I draw, I have no idea, certainly they are not functions I understand. For sure they are not NASA bases or anything like that, I don't even know if those buildings are made by humans or not. It doesn't matter. 
Architecture is powerful and meaningful in itself, this is what is important for me. 
Even more, in dialogue with such a pristine environment. 
But during the time I have started to understand that this dialogue with nature also means, kind of violating it. Parasite, life is just a parasite, grown abusively on the geological endless tranquility. Maybe geology should just be left alone.


The new series of collages commissioned by ESH Gallery in Milan.

A series of imaginary architectures exploring the expressivity or Architectural space. In stark contrast - and in a deeply respectful dialogue - with the pristine, mercyless setting of a place impossibly far and however so familiar.

The drawings are fully hand-made perspectives drawn on recycled paper with ink/china. The original sizes vary from 30x20cm to 70 x 40cm.
The background photos (Copyright NASA/ JPL-Caltech) are courtesy of our eyes on Mars, the tireless rovers, which bring another world so close to us. Even after all these years I still can't get over the sense of wonder created by these images. It is a pleasure and a privilege to work with them.